MAU UMROH BERSAMA TRAVEL TERBAIK DI INDONESIA ALHIJAZ INDO WISTA..?

Paket Umroh Reguler, paket umroh ramadhan, paket umroh Turki, Paket Umroh dubai dan beberapa paket lainya

Jadwal Umroh Kami ada disetiap minggu, agar  lebih detail Anda bisa tanyakan detail ttg program kami, Sukses dan Berkah Untuk Anda

YOOK LANGSUNG WHATSAPP AJA KLIK DISINI 082124065740

Biro Umroh VIP November 2015 di Jakarta Utara Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Biro Umroh VIP November 2015 di Jakarta Utara Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Biro Umroh VIP November 2015 di Jakarta Utara

saco-indonesia.com, Hidup ini adalah sebuah janji kita kepada Tuhan. Janji kita untuk menjadi yang terbaik dan melakukan semuanya sebagai sebuah ibadah kepada-Nya. Karena itu penuhilah janji tersebut.

saco-indonesia.com, Hidup ini adalah sebuah janji kita kepada Tuhan. Janji kita untuk menjadi yang terbaik dan melakukan semuanya sebagai sebuah ibadah kepada-Nya. Karena itu penuhilah janji tersebut.

Pengertian mesin CNC CNC singkatan dari Computer Numerically Controlled, merupakan mesin perkakas yang dilengkapi dengan sistem

Pengertian mesin CNC
CNC singkatan dari Computer Numerically Controlled, merupakan mesin perkakas yang dilengkapi dengan sistem mekanik dan kontrol berbasis komputer yang mampu membaca instruksi kode N, G, F, T, dan lain-lain, dimana kode-kode tersebut akan menginstruksikan ke mesin CNC agar bekerja sesuai dengan program benda kerja yang akan dibuat. Secara umum cara kerja mesin perkakas CNC tidak berbeda dengan mesin perkakas konvensional. Fungsi CNC dalam hal ini lebih banyak menggantikan pekerjaan operator dalam mesin perkakas konvensional. Misalnya pekerjaan setting tool atau mengatur gerakan pahat sampai pada posisi siap memotong, gerakan pemotongan dan gerakan kembali keposisi awal, dan lain-lain. Demikian pula dengan pengaturan kondisi pemotongan (kecepatan potong, kecepatan makan dan kedalaman pemotongan) serta fungsi pengaturan yang lain seperti penggantian pahat, pengubahan transmisi daya (jumlah putaran poros utama), dan arah putaran poros utama, pengekleman, pengaturan cairan pendingin dan sebagainya. Mesin perkakas CNC dilengkapi dengan berbagai alat potong yang dapat membuat benda kerja secara presisi dan dapat melakukan interpolasi yang diarahkan secara numerik (berdasarkan angka). Parameter sistem operasi CNC dapat diubah melalui program perangkat lunak (software load program) yang sesuai. Tingkat ketelitian mesin CNC lebih akurat hingga ketelitian seperseribu millimeter, karena penggunaan ballscrew pada setiap poros transportiernya. Ballscrew bekerja seperti lager yang tidak memiliki kelonggaran/spelling namun dapat bergerak dengan lancar. Pada awalnya mesin CNC masih menggunakan memori berupa kertas berlubang sebagai media untuk mentransfer kode G dan M ke sistem kontrol. Setelah tahun 1950, ditemukan metode baru mentransfer data dengan menggunakan kabel RS232, floppy disks, dan terakhir oleh Komputer Jaringan Kabel

(Computer Network Cables) bahkan bisa dikendalikan melalui internet. Akhir-akhir ini mesin-mesin CNC telah berkembang secara menakjubkan sehingga telah mengubah industri pabrik yang selama ini menggunakan tenaga manusia menjadi mesin-mesom otomatik. Dengan telah berkembangnya Mesin CNC, maka benda kerja yang rumit sekalipun dapat dibuat secara mudah dalam jumlah yang banyak. Selama ini pembuatan komponen/suku cadang suatu mesin yang presisi dengan mesin perkakas manual tidaklah mudah, meskipun dilakukan oleh seorang operator mesin perkakas yang mahir sekalipun. Penyelesaiannya memerlukan waktu lama. Bila ada permintaan konsumen untuk membuat komponen dalam jumlah banyak dengan waktu singkat, dengan kualitas sama baiknya, tentu akan sulit dipenuhi bila menggunakan perkakas manual. Apalagi bila bentuk benda kerja yang dipesan lebih rumit, tidak dapat diselesaikan dalam waktu singkat. Secara ekonomis biaya produknya akan menjadi mahal, hingga sulit bersaing dengan harga di pasaran. Tuntutan konsumen yang menghendaki kualitas benda kerja yang presisi, berkualitas sama baiknya, dalam waktu singkat dan dalam jumlah yang banyak, akan lebih mudah dikerjakan dengan mesin perkakas CNC (Computer Numerlcally Controlled), yaitu mesin yang dapat bekerja melalui pemogramman yang dilakukan dan dikendalikan melalui komputer. Mesin CNC dapat bekerja secara otomatis atau semiotomatis setelah diprogram terlebih dahulu melalui komputer yang ada. Program yang dimaksud merupakan program membuat benda kerja yang telah direncanakan atau dirancang sebelumnya. Sebelum benda kerja tersebut dieksikusi atau dikerjakan oleh mesin CNC, sebaikanya program tersebut di cek berulang-ualang agar program benarbenar telah sesuai dengan bentuk benda kerja yang diinginkan, serta benar-benar dapat dikerjakan oleh mesin CNC. Pengecekan tersebut dapat melalui layar monitor yang terdapat pada mesin atau bila tidak ada fasilitas cheking melalui monitor (seperti pada CNC TU EMCO 2A/3A) dapat pula melalui plotter yang dipasang pada tempat dudukan pahat/palsu frais. Setelah program benar-benar telah berjalan seperti rencana, baru kemudian dilaksanakan/dieksekusi oleh mesin CNC. Dari segi pemanfaatannya, mesin perkakas CNC dapat dibagi menjadi dua, antara lain: (a) mesin CNC Training unit (TU), yaitu mesin yang digunakan sarana pendidikan, dosen dan training. (b) mesin CNC produktion unit (PU), yaitu mesin CNC yang digunakan untuk membuat benda kerja/komponen yang dapat digunakan sebagai mana mestinya. Dari segi jenisnya, mesin perkakas CNC dapat dibagi menjadi tiga jenis, antara lain: (a) mesin CNC 2A yaitu mesin CNC 2 aksis, karena gerak pahatnya hanya pada arah dua sumbu koordinat (aksis) yaitu koordinat X, dan koordinat Z, atau dikenal dengan mesin bubut CNC, (b) mesin CNC 3A, yaitu mesin CNC 3 aksis atau mesin yang memiliki gerakan sumbu utama kearah sumbu koordinat X, Y, dan Z, atau dikenal dengan mesin frsais CNC. (c) mesin CNC kombinasi, yaitu mesin CNC yang mampu mengerjakan pekerjaan bubut dan freis sekaligus, dapat pula dilengkapi dengan peralatan pengukuran sehingga dapat melakukan pengontrolan kualitas pembubutan/pengefraisan pada benda kerja yang dihasilkan. Pada umumnya mesin CNC yang sering dijumpai adalah mesin CNC 2A (bubut) dan mesin CNC 3A (frais).

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

The live music at the Vice Media party on Friday shook the room. Shane Smith, Vice’s chief executive, was standing near the stage — with a drink in his hand, pants sagging, tattoos showing — watching the rapper-cum-chef Action Bronson make pizzas.

The event was an after-party, a happy-hour bacchanal for the hundreds of guests who had come for Vice’s annual presentation to advertisers and agencies that afternoon, part of the annual frenzy for ad dollars called the Digital Content NewFronts. Mr. Smith had spoken there for all of five minutes before running a slam-bang highlight reel of the company’s shows that had titles like “Weediquette” and “Gaycation.”

In the last year, Vice has secured $500 million in financing and signed deals worth hundreds of millions of dollars with established media companies like HBO that are eager to engage the young viewers Vice attracts. Vice said it was now worth at least $4 billion, with nearly $1 billion in projected revenue for 2015. It is a long way from Vice’s humble start as a free magazine in 1994.

Photo
 
At the Vice after-party, the rapper Action Bronson, a host of a Vice show, made a pizza. Credit Jesse Dittmar for The New York Times

But even as cash flows freely in Vice’s direction, the company is trying to keep its brash, insurgent image. At the party on Friday, it plied guests with beers and cocktails. Its apparently unrehearsed presentation to advertisers was peppered with expletives. At one point, the director Spike Jonze, a longtime Vice collaborator, asked on stage if Mr. Smith had been drinking.

“My assistant tried to cut me off,” Mr. Smith replied. “I’m on buzz control.”

Now, Vice is on the verge of getting its own cable channel, which would give the company a traditional outlet for its slate of non-news programming. If all goes as planned, A&E Networks, the television group owned by Hearst and Disney, will turn over its History Channel spinoff, H2, to Vice.

The deal’s announcement was expected last week, but not all of A&E’s distribution partners — the cable and satellite TV companies that carry the network’s channels — have signed off on the change, according to a person familiar with the negotiations who spoke on the condition of anonymity because the talks were private.

A cable channel would be a further step in a transformation for Vice, from bad-boy digital upstart to mainstream media company.

Keen for the core audience of young men who come to Vice, media giants like 21st Century Fox, Time Warner and Disney all showed interest in the company last year. Vice ultimately secured $500 million in financing from A&E Networks and Technology Crossover Ventures, a Silicon Valley venture capital firm that has invested in Facebook and Netflix.

Those investments valued Vice at more than $2.5 billion. (In 2013, Fox bought a 5 percent stake for $70 million.)

Then in March, HBO announced that it had signed a multiyear deal to broadcast a daily half-hour Vice newscast. Vice already produces a weekly newsmagazine show, called “Vice,” for the network. That show will extend its run through 2018, with an increase to 35 episodes a year, from 14.

Michael Lombardo, HBO’s president for programming, said when the deal was announced that it was “certainly one of our biggest investments with hours on the air.”

Vice, based in Brooklyn, also recently signed a multiyear $100 million deal with Rogers Communications, a Canadian media conglomerate, to produce original content for TV, smartphone and desktop viewers.

Vice’s finances are private, but according to an internal document reviewed by The New York Times and verified by a person familiar with the company’s financials, the company is on track to make about $915 million in revenue this year.

Photo
 
Vice showed a highlight reel of its TV series at the NewFronts last week in New York. Credit Jesse Dittmar for The New York Times

It brought in $545 million in a strong first quarter, which included portions of the new HBO deal and the Rogers deal, according to the document. More of its revenue now comes from these types of content partnerships, compared with the branded content deals that made up much of its revenue a year ago, the company said.

Mr. Smith said the company was worth at least $4 billion. If the valuation gets much higher, he said he would consider taking the company public.

“I don’t care about money; we have plenty of money,” Mr. Smith, who is Vice’s biggest shareholder, said in an interview after the presentation on Friday. “I care about strategic deals.”

In the United States, Vice Media had 35.2 million unique visitors across its sites in March, according to comScore.

The third season of Vice’s weekly HBO show has averaged 1.8 million viewers per episode, including reruns, through April 12, according to Brad Adgate, the director of research at Horizon Media. (Vice said the show attracted three million weekly viewers when repeat broadcasts, online and on-demand viewings were included.)

For years, Mr. Smith has criticized traditional TV, calling it slow and unable to draw younger viewers. But if all the deals Vice has struck are to work out, Mr. Smith may have to play more by the rules of traditional media. James Murdoch, Rupert Murdoch’s son and a member of Vice’s board, was at the company’s presentation on Friday, as were other top media executives.

“They know they need people like me to help them, but they can’t get out of their own way,” Mr. Smith said in the interview Friday. “My only real frustration is we’re used to being incredibly dynamic, and they’re not incredibly dynamic.”

With its own television channel in the United States, Vice would have something it has long coveted even as traditional media companies are looking beyond TV. Last year, Vice’s deal with Time Warner failed in part because the two companies could not agree on how much control Vice would have over a 24-hour television network.

Vice said it intended to fill its new channel with non-news programming. The company plans to have sports shows, fashion shows, food shows and the “Gaycation” travel show with the actress Ellen Page. It is also in talks with Kanye West about a show.

It remains to be seen whether Vice’s audience will watch a traditional cable channel. Still, Vice has effectively presold all of the ad spots to two of the biggest advertising agencies for the first three years, Mr. Smith said.

In the meantime, Mr. Smith is enjoying Vice’s newfound role as a potential savior of traditional media companies.

“I’m a C.E.O. of a content company,” Mr. Smith said before he caught a flight to Las Vegas for the boxing match on Saturday between Floyd Mayweather Jr. and Manny Pacquiao. “If it stops being fun, then why are you doing it?”

Artikel lainnya »